We spoke with three painters, one from each fair, whose work engages with “intersections,” a concept that encompasses much of what the fairs are all about: exploring points of connection and embracing individuality and commonality at once.
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Ann Arbor native Trevor Zhou is no stranger to bringing his personal life into his films.
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The local orchestra program broadens young people’s horizons—and has a broader reach than just Ann Arbor.
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WEMU’s music director Michael Jewett and news director David Fair will retire in June.
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Sareka Unique has expanded from artwork in once-vacant Briarwood storefronts to a storefront of her own.
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A former ballet studio on N. Main is ready for a star turn in a new artistic direction. Cluster Museum, a new collaborative of local artists, hosts a small commercial gallery with art supplies for sale in the front section. Behind the wide viewing window is an ample floor for contemporary thematic exhibits, workshops, and author readings.
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“I was really fascinated by the fact that all these kids were really great storytellers but weren’t really good readers,” recalls Bailes, now a U-M medical student. Once back in the United States, she began working with a pediatrician at Cincinnati Children’s Hospital to better understand how to keep kids who are falling behind on track to learn to read. She thought, “Why can’t dance and literacy come together to get kids excited about reading and learning?”
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Atomic Trading Co., Alex Kent’s new vintage boutique in Nickels Arcade, is the furthest thing you’ll find from a market-analysis-based enterprise tailored to capitalize on consumer trends.
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Founder Pat Montgomery established Clonlara School in 1967 to “allow children to be themselves, free to explore their interests and develop into individuals who [feel] free in their own skin,” she told the Observer in 2017. Through what it calls Full Circle Learning (FCL), Clonlara empowers its students to pursue topics that spark their curiosity, and learn what they learn along the way.
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Theatre NOVA is heading into its eleventh season in 2026 in the face of financial uncertainty. In the summer of 2025, the Trump administration called for a 35 percent cut in funding for the National Endowment for the Arts. Its grants are vital to many creative organizations, and Theatre NOVA is no exception.
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Wandering the lines of booths that snake through downtown, the Ann Arbor Art Fair feels like a single vast event. But within it are three separate fairs, each with its own governing board, jury, and territory. And every year, each expresses itself with an original poster and merchandise created by one of its artists. This year is no exception, and all three artists, in their own ways, are exceptional.
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Without waiting for Congress to act, his appointees cancelled NEA grants that had already been approved—including $30,000 for the Ann Arbor Film Festival. The 2025 festival was in March, and “I had already submitted our final report and payment request,” says executive director Leslie Raymond.
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A Community High and U-M grad, Rothbart has worked as a ticket scalper and pizza delivery driver, created a magazine, and won an Emmy. This year, a Knight-Wallace journalism fellowship brought his family—wife Margaret Box and their kids, Desi, six, and Birdie, three—to a rented house on the Old West Side. And this month, he’s reuniting with his second family—the one featured in his documentary 17 Blocks—in an event at the Michigan Theater.
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Since establishing her Ann Arbor studio in 2016, the U-M art grad has won nineteen international design awards for the ingeniously styled furniture she builds at Maker Works, the nonprofit south-side workshop. Often custom made for her interior design clients—she also has an interior design degree from EMU—they include colorful wall-art Squiggles made from PVC, acrylic, and wood, and Bolts, wooden cocktail tables threaded on marble bases. “The furniture work has a monolithic nature that is somewhat serious and whimsical at the same time,” she says.
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The best thing about Liberty St., one could argue, is the Michigan Theater. Along with hundreds of films every year, it hosts concerts, children’s theater, celebrity artists, and dozens of other major events. Its recreated historic sign is a landmark rivaled only by its sister theater a block away, the State. That streetscape—with the U-M’s Burton Tower rising in the background—inspired the Michigan Theater Foundation’s recent rebranding as Marquee Arts.
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Recently, a book appeared among the Nepali handicrafts in the window of Himalayan Bazaar on Main St. Beyond Everest traces the path that took the store’s co-owner from grinding poverty to the top of the world’s highest mountain. He and his wife and co-owner, Moni Mulepati, were married there, drawing international coverage.
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