Culture

The Artist as Historian

When we visit museums, we look at art presented at eye level, on walls or pedestals. Artist Holly Bass, whose new installation, We Hold These Truths …, opens at the U-M Museum of Art (UMMA) on October 3, wants us to look back, forward—and up.

A D.C.-based, internationally recognized artist, Bass frequently integrates dance, theater, visual art, and writing into her work. In this exhibit, she explores the United States in 1876 and 1976, when centennial and bicentennial celebrations coincided with turbulent times. And as our divided nation marks the year of its 250th anniversary, Bass asks what the next centennial might look like.

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K-Culture Meets Classical Music at Hill Auditorium

The SeAH Korean Art Song Gala will feature student performances from every class and graduate level in the Voice & Opera program in its first half, concluding with a homecoming performance by Morin, who is now pursuing a master’s degree in voice in Saarbrücken, Germany.

The cherry on top? The second half of the show features world-renowned, Grammy-winning Korean concert soloist Sumi Jo. Over her forty-year international career, Jo has become a celebrated ambassador for Korea’s musical heritage, particularly Korean art song. Jo currently serves as artistic director of K-Gagok Superstar, an annual televised Korean vocal competition in which non-Korean singers perform Korean art songs, helping introduce gagok to a broader international audience.

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Touché, My Friend

One of my favorite things about Theatre Nova is that it will never shy away from an unconventional story. Its latest production, Gracie Gardner’s Athena, is just that: a coming-of-age fencing dramedy that debuted to rapturous reviews off-off-Broadway in 2018.

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Follow the Balloons!

Gallery Nights opens the doors of seven galleries, plus coffee shops and artist-friendly boutiques throughout Kerrytown on the final Thursday evening of every summer month from 5–8 p.m. Every participating business has a set of balloons floating in front of their door to invite you in. This choose-your-own-adventure of engaging activities is designed to break down the barriers between professional artists and the public with a smorgasbord of eclectic, diverse art-making and art-viewing—all for free.

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Country Love for the Bard

Love, food, frivolity … who hasn’t sworn off a vice or two only to find temptation at every turn? Just ask the King of Navarre and his oath-bound cohorts, whose celibacy and studiousness will be put to the test every weekend in June as part of Shakespeare in the Arb’s twenty-fourth season. A staple of the summer calendar, SITA brings the bard’s early comedic gem, Love’s Labor’s Lost, to Nichols Arboretum, continuing a quarter-century tradition of outdoor theater in one of the area’s most bucolic natural spaces.

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Jazz in Ann Arbor: A Vibe Check

The life of a jazz musician: sometimes you’re headlining a concert house in front of an audience who came to see you specifically and listen with rapt attention, and sometimes you’re playing a club where your music blends with the chatter of the crowd. Hey, a gig’s a gig. But what’s it like for the musicians onstage? And how are the audiences in the Ann Arbor jazz scene?

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“The Whole Show Is Made Up”

The theater at Hear.Say Brewing + Theater is small and intimate, with rows of chairs facing a low, narrow stage backed by black theater curtains. On a cool spring evening, it was packed with couples on date nights and an excited group of improv enthusiasts behind us, who I gathered were students in one of Hear.Say’s classes.

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Author Camille Pagán

Camille Pagán’s novels regularly reach bestseller lists, her work has appeared in national publications, and her career gives her a reason to travel. But she’s happiest in Ann Arbor, where her life is structured around school schedules, familiar streets, and the dependable calm of a Midwest town.

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Kass Academy

I’m a writer who believes in multiple beginnings. And at the root of one of my origin stories is Jeff Kass’s classroom at Pioneer High School, where I sat nearly two decades ago, age thirteen, and began to love poetry for the first time. 

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The Great Tail of Time

Set in 1812 Moscow, Natasha, Pierre & the Great Comet of 1812 is a musical adaptation of seventy pages of Tolstoy’s War and Peace. Natasha, a young countess, is torn between her love for two men, neither of them Pierre, who is dealing with his own crisis. Among the events in this saga are scandals, a suicide attempt, a duel, an awakening, and the arrival of a comet.  

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Where the Car Is King

I’ve never been much interested in the inner workings of a car dealership, and since watching the Purple Rose Theatre’s latest play, The Classic King, I can’t say that has changed. The comedy, which runs until March 15, follows four car salesmen on a mission to save their failing dealership. Directed by Jeff Daniels, the show is a world premiere and the first professionally produced play by Richard Johnson. Johnson began playwriting after retiring from a career as an automotive journalist, including serving as editor of Automotive News.

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