Everyone's a Critic
The Observer's culture blogMonday, April 27, 2015
SPRING IN ANN ARBOR, by Margaret Bennett
We all love springtime in Ann Arbor, especially the usual things that remind us that spring has come—at last!
There is rain instead of snow. We need to get our umbrellas out in case rain comes when it's not expected, because sometimes the rain is more than a simple shower. At those times, an umbrella is our most prized possession. Occasionally as evening wears on, a few people even walk in the light rain.
The sun comes up earlier. It's warmer outdoors. The grass in lawns and other places along the roads and on the golf courses gets greener and greener.
People, especially seniors, are out walking instead of hurrying indoors to get to a warm place. Of course, their attire depends on the weather. If the weather is cool, on go the sweaters, warm hats, and wool sox. When it's raining, they walk inside one of the malls.
Dog-owners seem to enjoy walking their pets more in the more comfortable spring weather instead of hurrying along just to get the chore done.
Children are playing outdoors, and sometimes, just running around with their friends—enjoying their freedom. We see more bike riders—sometimes on weekends, whole families are out enjoying the lovely weather and observing their routes more closely. It's an attractive way to get exercise and spend time with others.
Those who ride bikes to work are less worrisome than in winter when they negotiate the snow and ice on our roads.
In spring, we see more of our neighbors as they emerge from their homes to clean up their yards and their gardens. Sometimes they tidy their garages. They may take time to visit with neighbors. Sometimes, al of us takes time to empty the fast food boxes and wrappers and other items that accumulated in our cars during the long winter.
There are flowering trees, lots of yellow daffodils and even low, blue flowers sprinkled in the grass in a few places. Many songbirds are singing during the day. They are especially loud on the sunniest days. Returning birds like the redwing blackbirds, arrive in a flash of color.
But there are some things that come with spring to Ann Arbor that you may not have noticed. There are green buds on the non-flowering hardwood trees. You see a soft green haze when you take time to look at them. But some of the other, big and small, trees have red buds—and not just the 'redbud' trees. These trees may be ones that have reddish leaves later in the year.
The sky is a lot like it is in winter. When the sun is out, the sky is a beautiful blue. Puffy white clouds float across it. But if the clouds turn dark gray, rain may be on the way.
And, of course, we often have a breeze. It moves the branches on the bare hardwood trees. It even moves some of the evergreen branches, especially those on the Michigan white pine trees.
Young people go outdoors in knee-length shorts (the men) or, sometimes in short skirts (the women). Their legs are bare even on days when the temperature is about 50 degrees.
As the weather warms up, groups of students gather on the steps of Angell Hall to listen to their group leaders provide information and directions.
As spring moves along, university students like to lounge on the lawns; but only when they are dry enough and when the weather is quite warm. It's a good place to visit with friends, or even to eat a snack, and drink something refreshing. Some students study on the grassy places around the university; but the weather has to be really comfortable.
It's easier to see the bird nests and the larger nests the squirrels build in the trees when the leaves are gone and the new leaves aren't large enough to hide things hidden in the branches. In summer when the trees are in full leaf—those nests, which seem to be built of dry leaves and perhaps other items the owners find are not visible.
It's easier to see the small stream behind my house when the leaves are off the trees, too. The stream always bubbles along. Sometimes, if I'm lucky, I can see the moon reflected in it some nights.
The streetlights where I live come on before the sun has set and before we need them. As evening moves along, darkness comes and the lights are helpful and cheerful.
As the grass behind my house gets greener, some small brownish birds arrive. I never see them at other times of year. They have yellow beaks and spend their time pecking at something in the lawn; there must be something edible for them.
The swans are back on our lakes and ponds. They don't fly away to warmer places until January. The young ones can't fly until their feathers are white and they are mature enough for the long trips. But they come back about the same time as the other migrant birds.
Swans are much bigger than you can imagine. If you have not seen one up close, you will not appreciate their huge size. But it's hard to realize their size as they glide along on the surface of our ponds and lakes.
There are many robins these days. But they never eat at bird feeders; they seem to prefer to eat worms. Their breasts are not really red, of course, more of an orange color. And they look fat. They must have had plenty to eat when they were in warmer places during the winter.
posted by John Hilton at 2:42 p.m. | 0 comments
Thursday, January 29, 2015
ALL THE LIGHT WE CANNOT SEE, by Eve Silberman
In his best-selling novel set in Europe during WWII, Anthony Doerr follows the fortunes of two adolescents as they struggle for survival, moral and physical. Marie-Laure LeBlanc is a blind French girl who memorizes her village through an exquisitely designed miniature made by her father. German orphan Werner Pfennig, a math whiz with a gift for mechanics, chooses to attend a Nazi youth military camp rather than be sent to work in the mines. In alternating chapters, Doerr tells each young person's story.
Contrasts soon develop. Marie-Laure moves from a doll-like passivity to anti-Nazi activism; she delivers messages hidden in a loaf of bread from a nearby bakery, and later broadcasts for the Resistance on a forbidden radio. The reflective Werner becomes increasingly aware that in aligning his lot with the Nazis, he's crossed over to the dark side—but he sees no way out.
He doesn't openly rebel; his moral conflicts take the form of wistful reminiscences of his astute young sister and the gentle woman who ran the orphanage where he and his sister grew up. His gentle friend, Frederick, finds escape from the Nazi camp—a place where boys are asked to turn on the "weakest" among them—by scanning the skies for birds, using a pair of antique field glasses, but ultimately defies the Nazis at a terrible price. Werner, drafted into the Reich army, uses his technical ability to hunt down –what else?--Resistance wireless broadcasters.
A third story heightens the tension. When it's clear the Germans will take Paris, the director of the museum where Marie-Laure's father works decides he must find a hiding place for the museum's most valuable possession: a diamond named "The Sea of Flames." He enlists the senior LeBlanc in a scheme to hide the precious albeit scary stone—it's rumored that a curse will follow the owner––with the result that even while Germany slides into defeat, a Nazi officer is on the heels of Marie-Laure and family.
The "Sea of Flames" adds some needed suspense to a story that, though it has a lot of beautiful writing, sometimes drags under its reverential telling. Describing Marie-Laure's blindness (congenital cataracts that left her blind by age six), Doerr writes, 'In her imagination in her dreams, everything has color. The museum buildings are beige, chestnut, hazel . . . piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues . . . "
Regrettably, Doerr doesn't develop characters as skillfully as settings. Marie-Laure, her father, Werner, Frederick, even the surprisingly amicable Nazi Sergeant Major von Rumpel remain as lifeless as Marie-Laure's miniature house. A bit weirdly, the book comes most to life life when Marie reads aloud a Braille version of Jules Verne's watery adventure 20,000 Leagues Under the Sea. When Captain Nemo and his guys are "flailing away with their axes" at sea monsters, it's like break dancing transforming a dance hall where you're tired of watching waltzes. Guess there's reasons some books are for the ages.
posted by John Hilton at 4:23 p.m. | 0 comments
Wednesday, January 14, 2015
A FUTURE PHILOSPHER COMES OF AGE, by Tom Cudney
I was in the inaugural class of the Washtenaw Technical Middle College. Since 1997, the Middle College has let students take college classes while still in high school. When I came to the school, I had barely passed my freshman year at Lincoln High. At the time, I was fourteen years old and reading Darwin's Origin of Species.I enrolled my sophomore year, taking algebra, robotics, and some high school classes, which were easy and uninteresting.
We were a diverse group, so there were some odd ways we spent our time. There were only thirty seven of us, and we were closely-knit. There were no real cliques. Rich and poor kids blended without much emphasis on either polarity. Devout Muslims, skater punks, vague philosophers, and causeless rebels all mixed rather freely. The first student I talked to had bright blue hair, which impressed me, since I wasn't used to aesthetic freedom. There was at least one rock lifting contest in the woods, which I lost.
There was still time to wander around and cause trouble. A typical day that first semester included roaming the lawns and adjacent woods, and annoying people with pointless questions about reality. My friend lost his virginity in those same woods. There were some boulders by a break in the tree line, where we would give each other bear hugs until we fainted. Then there were the drugs. Lots of them.
The ski trip that December was a landmark of our achievement, though not exactly in a scholarly vein. I knew a girl whose boyfriend took all our liquor orders in advance. I personally brought two fifths of whiskey and a pint along in my suitcase. I was well-equipped, but I wasn't alone in that. Everyone had brought contraband to those two cottages, resting by the snowy hills in Michigan. I wonder if the tale is still recounted by students today.
The first night was our triumph. The boys' two-storey cottage had a balcony that looked out into the blackness, lighted over peaceful white. It invited us. There was no moderation in our impulses or appetite. Friends gambled, speculated, and got owned in GoldenEye 007. It was like I had stumbled into a palace of surreal possibility, alive with all my teenage fantasies of indulgence and popularity, a type of madhouse wherein we could be whatever we wanted, and we were all the more glad for it. A kind of existential insurrection through which there were no roles to play or desires to compromise. We were happy then. The girls' cottage was more subdued, though several groups crossed over as emissaries. While a bit more reserved, they partook in the fun, too, and were happy.
I remember standing by a bed amidst the clamor as I looked out past the crowded balcony. The boy next to me was rolling a marijuana blunt, a drug from which I had abstained for several months. I was drinking Canadian Mist whiskey, which is what I had drunk my first night in foster care, when I was eleven. It went down my throat uneventfully. I thought about smoking this blunt. All the conversations in the room weaved together in a whisper. I had a fleeting but clear premonition of myself as having failed and given in to something, somehow; but in the vision, I no longer cared. In that preview of a memory, I saw what it was like to no longer feel how I had in the past. Then I had smoked the blunt, and the experience was relegated to a memory.
We all went outside, up the hill, borrowing thick inner tubes, and were scarcely discreet or stealthy, even though we were quiet and sneaking along in the crunchy snow. We stood atop the hill. We sailed in those tubes, our chariots on a winding track of polished destiny, down to the surface of the everyday. But what a flight it was! We clung to one another, defying the momentum that would see us scattered, flakes gleaming as they danced along in the early morning air.The group did break apart, but my friend and I were stronger than the rest. We sustained our bond, and the force of our imbalanced weight thrust us clear off the hill, narrowly past a tree, and saw us land gingerly yet unfazed, still together in our tubes, ten feet out and below. Only one person was hurt: A chaperone whose reckoning was a bloody lip from the illicit tubing fray.
We went back to the cottage, and a few of us sat on the couches downstairs. I passed around the fifth of Jack Daniels I had brought. We didn't talk. One kid had locked himself in the bathroom. His friend was with him. We didn't care anyway. No one had bothered us. That's what happened.
I took my first philosophy class later that winter. I was fifteen, arrogantly inflated, and most of all, starving to find ideas that were meaningful to me. My philosophy instructor was somewhat of a Nietzschean iconoclast, film critic, and honors advisor at a university up the road. He had been teaching for fourteen years already, and he still does to this day. John was fiercely articulate, honest, and approachable, his lectures were dynamic and conversational. He once told us how he had sat on his car down in Texas, surrounded by coyote eyes that glowed out of the night. I was able to apply myself in the course, largely because I was challenged, and sometimes, clueless.
I ended up dropping out of the Middle College and getting my GED. I finished my associate's degree, earned a BA, learned three languages, and studied abroad before going to graduate school with full funding. I earned an MA in philosophy in 2010.
I came back to Washtenaw Community College and taught philosophy that same year. One or two of my own students were in the Middle College.
posted by John Hilton at 12:09 p.m. | 0 comments
Wednesday, December 3, 2014
HELEN HILL RETIRES, AGAIN, by John Knott
Helen Hill is retiring again, this time at the age of 99. At 2:30 p.m. on December 4, 2014, present and former students will gather at the Turner Senior Resource Center to celebrate her 20 years of teaching memoir writing for the Osher Lifelong Learning Institute (OLLI) at the University of Michigan. With toasts and presentations they will express their respect and affection for Helen and their appreciation of her role in encouraging and guiding their writing and nurturing a supportive community of writers. Many have remained with the group for years as it has continued to evolve with the addition of new members.
Helen's involvement with OLLI began almost by accident when her friend Jim Robertson persuaded her in 1993 to help him meet the demand for courses in memoir writing. She discovered that this was exactly what she wanted to do and has repeated her course in Memoirs and Personal Writing twice a year ever since. In 2001 she and members of the course published a collection of their writing as The Man Who Eats Snakes and Other Tales. One long-term member who contributed to the book, Donald Axon, suggests why the course has been so successful: "[Helen] enveloped us in an atmosphere of curiosity where judgments were suspended or reserved. We described and discussed incidents that had made living rich, exciting or amusing and others that had troubled us. There was no opprobrium in her class. Light and heavy both went over well, and as listeners we had time to say, 'Something like that happened to me…' and tell about it."
Helen retired for the first time in 1984 after teaching Children's Literature and Writing for 21 years at Eastern Michigan University, where she became Professor of English and co-edited several anthologies of poetry for children and young adults. In retirement Helen continued to research and edit the extensive journals of her seagoing grandfather, Captain Edward Baker of Duxbury, Massachusetts. A book combining excerpts from the journals with her own narrative, A Proud & Fiery Spirit, was published by the Duxbury Rural and Historical Society in 1995. Working with other parents of mentally ill children, Helen and her late husband Donald founded the Washtenaw County chapter of the National Alliance of the Mentally Ill and led the effort to establish Trailblazers, a clubhouse in Ann Arbor for the mentally ill. Due in large part to the efforts of the Hills, the state of Michigan in 1990 passed legislation requiring all of its mental health agencies to have clubhouse programs.
In mid-December Helen will move to San Diego to join her daughter Rebecca, after living in Ann Arbor since 1948. In January, OLLI member Eleanor Linn will assume responsibility for the memoir writing course Helen created, continuing to foster an atmosphere of mutual trust and respect in which those of any age can find their voices as writers.
The Osher Lifelong Learning Institute (OLLI) at the University of Michigan offers the opportunity to remain active, intellectually engaged, and socially connected throughout midlife and beyond. Drawing on the resources of the university and area communities, OLLI offers its 1300 plus members more than 180 volunteer-led, high quality education, cultural, and social activities each year. OLLI at the University of Michigan also provides meaningful opportunities to volunteer in roles ranging from study group leaders to program planners. Under sponsorship from the Geriatrics Center at the University of Michigan Health System, and with funding from the Bernard Osher Foundation, OLLI at the University of Michigan is open to anyone over the age of 50.
posted by John Hilton at 10:38 a.m. | 0 comments
Monday, November 10, 2014
2014: SPACE ODDITY, by Tomas David
Earth to Christopher Nolan: "There's no crying in outer space!"
Roger that. Houston would have a real problem with the British director's latest magnum opus, Interstellar, which shoots high to put the science--and big ideas--back into the science-fiction movie.
Unpleasantly earthbound after his Oscar-earning turn in Dallas Buyers Club, Matthew McConaughey dimly stars as an astronaut given the lofty mission of saving humanity from imminent doom. Yes, In a World ... choked by killer sandstorms and dying agriculture, humanity has no hope but to seek out another home in the cosmos. As a corn farmer and former space pilot, McConaughey's Cooper fatefully lands in the driver's seat, prodded on by his feisty young daughter (Mackenzie Foy).
The helmsman behind a galaxy of pop-corn blockbusters including Inception and the Christian Bale Batman reboots, Nolan and co-writer and brother Christopher Nolan launch their multi-stage, multi-hour vehicle designed to reach the rarefied atmosphere of Kubrick's 2001: A Space Odyssey and other sci-fi classics. The dramatic payload is heavy, often crushing, and the payoff will leave many gasping for air, and not in a good, Space Mountain way. You might say that Interstellar is the anti-Gravity, if it didn't implode soon after lift-off.
Sketchily post-apocalyptic, Nolan's star-crossed epic theorizes that the truth is out there--or at least a new Earth potentially is on the far side of a mysterious wormhole spinning off Saturn. A brain trust of stealthy NASA scientists drafts Cooper for the mission, along with a small crew that includes a young scientist (the anti-Sally Ride, Anne Hathaway) who's the daughter of the project's weary mission controller (a weary Michael Caine).
A weightless hero, McConaughey delivers his lines in a mumbled, over-naturalistic monotone that's the wrong stuff in a spacey movie that comes equipped with the pace of suspended animation. Nolan overloads the script with so many clunky scientific terms ("singularity," "time-shift," ad infinitum.) that they might even make Stephen Hawking's head spin. When Nolan needs a melodramatic booster, he has his actors jettison Kubrickian coolness and lurch into hyper-crying, including Hathaway, the Les Miz Oscar winner who's miserably cast in a retro female role beamed back from 1950s B-grade sci-fi. Where have you gone, Sigourney Weaver?
For all its modern trappings, yawning length and astronomical pretensions, Interstellar is a dismal, fizzling blast from the past--George Pal's When Worlds Collide bogged down with cornball philosophy and an extra hour of unfunny outtakes and overwrought suspense. Rather than 2001, Nolan should have explored the grim fate of Disney's 1979 The Black Hole, which charted nebulously similar territory and quickly vanished into box-office hell.
posted by John Hilton at 5:07 p.m. | 0 comments
Wednesday, October 15, 2014
LEO KOTTKE: ARCHITECTURAL SOUNDSCAPES, by Ray Chalmers
Informally surveying the line of patient Ark concert-goers in a drizzling October night revealed a number of experienced Leo Kottke viewers. Some were there for the stories, some were there for the singing, but it was beyond a given that all were there for the playing.
Taking the stage with six- and 12-string guitars in hand, Kottke acknowledged his introduction of his regular stop at Ann Arbor's intimate 400-seat listening room with a rueful grin and a muttered "Too close." Launching into the delicate "Ojo", Kottke stopped with a grimace 30 seconds in, saying "That's what I get for making eye contact. Over there."
Hiccups such as these at a Leo Kottke concert are not so much mistakes as more splashes of color on a sound canvas unique at each listening. At 69, Kottke's comfort on stage and comfort in his own skin is as much a presence as his musicianship. Duane Allman's "Little Martha" sang with a sweet innocence from veteran hands, while the dense 12-string "The Driving of the Year Nail" from his Takoma Records debut in 1969 was followed by a declarative "I was a whole other head back then."
Interlaced with stories about everything from best friends drinking their way into their third nursing home to Doc Watson's theory of guitar tuning, Kottke's songs, instrumental and sung, are short stories in themselves, stories read by a respectful crowd that turned each page with anticipation. Indeed, Kotke's soundscapes approach the architectural -- an as-yet unrecorded song from Kottke's new head conjures a vision of sitting in an underground bodega with a very attractive barmaid inquiring how you like the rioja; while a Bert Kaempfert instrumental was as clean '60s cool as a Mad Men cocktail party.
Chekhov famously advised: "Don't tell me the moon is shining: show me the glint of light on broken glass." A Leo Kottke ticket is a guided tour over a much-loved landscape with a tour guide you trust, who then slaps you a hard left and takes you someplace new.
posted by John Hilton at 12:45 p.m. | 0 comments
Wednesday, May 14, 2014
BRING BACK OUR GIRLS, by Fatimah Oumar Ribier
I am 42 and was born in Madagascar. Since 2008, my family and I live in Ann Arbor.
Last Saturday May 10th, I joined the rally for a community awareness and prayers to help bring home the 200+ girls that were abducted from their boarding schools in Northeastern Nigeria.
It was a beautiful crowd that stood up and gathered together. Once home, I wrote this poem that I want to share with our community.
Bring Back Our Girls
There are many women in me
And today, they are crying.
But their tears are not of despair
Their tears are rage, indignation, sadness and compassion.
I cried, but I also prayed.
God help us.
The heart of the grandmother cries
My little girls don't come to dance around me anymore;
My little girls are not here for their favorite bedtime stories.
The heart of the mom cries,
My girls have disappeared
My womb is bleeding while remembering these 9 months
9 months creating this unique relationship , blessed by the Creator .
The heart of the sister cries
My confidant, my best friend is no longer here to play
She is not here to make me laugh, and share my dreams.
I am the friend who runs lonely because the others had disappeared from the playground.
I am the woman who cries
For our daughters away from home.
For mothers and fathers and families who suffer from their absence.
I am suffering.
I am the Human crying
Afflicted by the society that still today, in the 21st century, continues to create men capable of the worst.
Our society keeps creating monsters.
Men who forget that they come from the womb of a woman
Men who forget that women fed them, took care of them, comfort them when they cried or were hurt.
Men who have mothers who sang for them, cared for them, love them.
Men who today are kidnapping, raping, beating, harassing insulting, destroying the life of girls and women everywhere in the world.
Our society is not learning from her History
Our society is missing Unity
Our society is ruled by jungle laws
Ignorance, confusion, and violence.
The dark side is so deep that some men dive into it with passion and faith.
But today in Detroit
My tears were also joy
Today my community embrace Unity
Brothers and sister were shining
Together as One,
I am happy and proud
Our society is also able to bring out the best in US.
Today we stood up,
Today we spoke loud and used our words
Today we said No more.
Today we were the mountain
Rising in the sky.
posted by John Hilton at 2:34 p.m. | 0 comments