Garrick Ohlsson and the Takács
More emotion and less excess?
I am no fan of the piano playing of Garrick Ohlsson. I admit that he has astounding technique, amazing stamina, and great taste in what he plays. And I acknowledge that he is admired and even adored by Ann Arbor audiences. But I find his playing fatally egotistic and terminally narcissistic. Why does Ohlsson, after every two-hour Chopin concert, feel it