got this spark. I've got to feed it something / Or put it out for good."
Ray has always been the passionate half of the Indigo Girls, the folksinger who you know had a rock album or two in her. You could hear it when she sped up Dire Straits' mopey breakup ballad "Romeo and Juliet" into a match-and-gasoline triumph, and in the tinge of nightmare in her songs on the duo's self-titled breakthrough album: the dread in "Kid Fears," the self-destruction in "Blood and Fire."
So Ray's fans thrilled to hear her go electric on Stag (2000). Backed by the all-female punk-rock band the Butchies on half the songs, she got angry, singing about murdered gay teen Matthew Shepard on "Laramie" and disrespect for women in the music industry on "Lucystoners." Yet Stag wasn't entirely satisfying. Ray told one interviewer it was made up of "old songs I could never quite finish." My favorite, "Black Heart Today," clocked in at 2:10 and seemed to be missing a third verse.
There are no unfinished tracks on Prom. It's a major work, full of great songwriting. It starts as a concept album about high school, but before long, its tales of repressed desire and the search for identity and connection become universal. Backed on some tracks by two members of queercore band Team Dresch and Luscious Jackson drummer Kate Schellenbach, Ray plays with musical styles more than ever, and for maybe the first time, she lets the music tell the story and allows the lyrics to reveal themselves slowly.
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